J'accuse

original title:
J'accuse
other titles:
I accuse, (Ich klage an), That They May Live
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original length:
100 min. , black/white
premiere:
25 April 1919
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plot synopsis:
Marie Lazare is forced by her father to marry the much-older Francois Laurin, even though she's in love with Jean Diaz, a poet. The jealous Laurin goes wild at the idea that his young wife may have betrayed him. When the World War breaks out, he goes to the front. Diaz, a pacifist, stays home until Marie is captured by the Germans. Then he enlists and winds up being in command over Laurin. Over the course of four years, the two men become friends. Diaz is send home for holiday. Marie returns with a baby — she was raped by several of her captors and does not know which one is the baby's father. When Laurin comes home, he mistakenly believes that the child is Diaz's. After he is convinced he was wrong, he goes back to his regiment, and is killed in the fighting. Diaz also returns to battle and is wounded. He comes home, but he has lost his mind. He has a vision in which the dead return from their graves to see if their loved ones are worthy of their sacrifice. He dies, leaving Marie alone with her child.
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remarks:
"J'accuse" , produced for Pathé, was Gance's first epic film, a massive, deeply moving indictment of war. Profoundly affected by the horrors of the First World War, which had devastated France and taken the lives of many of his friends, Gance created a film that, upon its release soon after the Armistice, became the screen’s first cry of revolt against the organized slaughter that had ravaged modern civilization from 1914 to 1918. Gance’s use of rapid cutting, superimposition, masking, and a wildly-tracking camera accentuates the intensely emotional blending of camera actuality and poetic drama. The film was a spectacular hit throughout Europe, and Gance, hoping for an American success, took it across the Atlantic, where he presented it at a special screening in New York in 1921 for an appreciative audience that included D. W. Griffith and the Gish sisters. But the U.S. distributors mutilated "J’accuse" for its subsequent general release, even distorting its antiwar message into an endorsement of conventional militarist attitudes.
Gance remade his film in 1938 as a protest when he saw the world slipping yet again into war.
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