All Quiet on the Western Front

original title:
All Quiet on the Western Front
other titles:
(Im Westen nichts Neues)
country / year of production:
original length:
128 min. , color
premiere:
14 November 1979; D: 1 September 1983 (TV)
based on:
Erich Maria Remarque. »Im Westen nichts Neues«. Berlin: Propyläen, 1929.
film script:
producer:
cinematographer:
composer:
more:
plot synopsis:
Infused by the patriotic rhetoric of their teacher Paul Bäumer and his classmates volunteered for the army in the First World War. Driven to complete exhaustion by the arbitrary and unfair pratices of their instructor Sergeant Himmelstoß they begin to doubt their romantic ideals of the life as a soldier. When they are sent to the front and witness the misery in the trenches the disillusionment is complete. A group of older soldiers among the experienced Katczinski (»Kat«) takes care of the young men teaching the freshman how to survive the deadly chaos at the front. But with every attack the group becomes smaller. During a French attack, Paul hides in a bomb crater in no-man’s-land. When a French soldier falls into the crater he stabs him. While the Frenchman slowly dies Paul begs him for forgiveness, realizing that they are all brothers, driven to kill each other by the brutal mechanism of war.
During one of the next attacks Paul is wounded and sent to a hospital. He receives a few weeks leave and returns home to visit his family. Disappointed he realizes that he is unable to convey his experience of the front to anyone at home. He is releaved as he returns to his comrades the front line. But most of them are dead. When Kat is hit by a splinter Paul looses his last and his best friend.
On a quite day shortly before the armistice Paul tries to draw a little bird sitting on the rim of his trench. When he straightens up to see the bird better, he is struck by the bullet of a French sniper.
literature:
Thomas F. Schneider. »The Two ›All Quiets‹. Representations of modern warfare in the film adaptations of Erich Maria Remarque’s Im Westen nichts Neues«. Marzena Sokolowska-Paryz, Martin Löschnigg (eds.). The Great War in Post-memory. Literature and Film. Berlin, Boston: de Gruyter, 2014 (Media and Cultural Memory 18), 109–120.

Pascal Zeuner. Remakes und Mehrfachverfilmungen am Beispiel von »Im Westen nichts Neues«. München: GRIN [Hauptseminararbeit, Internetveröffentlichung], 2007, 31 pp.
remarks:
It is not a remake of Lewis Milestone's 1930 classic, but a new film adaption of the novel. It becomes clear, e.g. because in the first film adaptation the plot is told in the chronologically correct order, but in this version - as in the novel - Paul Bäumer remembers retrospectively events before the war effort. The end of the film is also different: In contrast to the first filming, in which Bäumer is shot in the end by a sniper, as he tries to reach for a butterfly on the parapet, this version ends with the fact that Bäumer paints a bird in the ditch, who is sitting near him on a tree, and only shot when he then moves out of cover.

Although this filmed in Czechoslovakia movie keeps closer to the original book and was also produced with more modern technical means and in color, he also received good overall reviews and was awarded a Golden Globe in 1980 as the best film production for television, the remake did not reach the popularity and popularity of Lewis Milestone's first adaption of 1930, not least because he was - at another time - politically hardly controversial. The »Lexicon of the international film« judged that the film does not reach the intensity of the first film adaptation of the novel. »Because of its honest realism [he] was [still] an impressive anti-war movie.«

The DVD includes both the TV Version (122 min.) and the Director's Cut (155 min.). The German version of the Director's Cut contains some scenes in English with German subtitles. These are scenes that were not intended for the original TV version.
availability:
DVD
Blu-ray