Director Ophuels travels to the Bosnian capital Sarajevo using the coverage of the Yugoslavian Civil War to ask some fundamental questions about the reporting on warlike conflicts.
His documentary circles around the ambivalence of this business: the one side the necessity to report what has happened, on the other side the increasing need of an "interesting" presentation of the conflict in a media society where news have become a product, a piecce of spectacular infotainment.
With repeated reference to the history of war reporting and its development during the Spanish Civil War, the Second World War and Vietnam war, Ophuels attempts to find out if cathatrophic images have the power to prevent war and misery.