The Americanization of Emily

original title:
The Americanization of Emily
other titles:
Emily, (Nur für Offiziere)
country / year of production:
original length:
117 min. , color
premiere:
27 October 1964
genre:
based on:
William Bradford Huie. The Americanization of Emily. New York: Dutton, 1959.
director:
film script:
cinematographer:
editor:
composer:
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plot synopsis:
In the weeks prior to the allied invasion in Normandy, Charles Madison, a young navy officer, works for one of the admirals pklanning the attack. In return for the security of his safe position Madison organizes everything the admiral desires, from the excellent whiskey to young girls.
On one of his forage tours he gets to know the English soldier widow Emily who despises the Americans. With his mixture of charm and his philosophy of cowardice he eventually wins her over. He explains to her that if all men were cowards the war would not be possibletherefore he were a coward and proud of it. Just as he wins Emily`s love, his admiral has decided that a sailor should become the first dead man on Omaha Beach in order to prove that the navy has no match for bravery among the services. This is why Madison finds himself as one of the very first men on the beach. He is reported missing at first, but has survived and, although he refuses, has to play the wounded war hero upon his return to England. At least he gives in and even agrees to return to the States to take part in a victory bond drive.
Emily as well has adopted to the situation. A courageous husband who informs the world about the horror of Omaha Beach and who would therefore go to jail, would not be of any use for her. She prefers a man who stays at home with her, even if that means he has to play the hero [from: Lawrence H. Suid. "Guts and Glory"].
literature:
Lawrence H. Suid. Guts and Glory. The making of the American military image. Lexington: The University Press of Kentucky, 2002, 206-210.
remarks:
As the bigger Hollywood production to present an American soldier proudly professing the virtues of cowardice the film stirred quiet some controversy. Director Hiller recalled that audience of the first New York screenings went "mopping mad". He even lost a few friends "because their heroic vision of goodness, virtue and nobility of war has been tarnished".
To his defense he replied to his critics that he believed that "goodness, virtue and nobility are so out of place in the context of war that satiric laughter is the only logical consequence".
In 1964 the navy obviously was not ready to laugh at itself, that Hiller did not even to seek assitence for the brief Omaha Beach sequence. The navy prohibited the showing of the film on all its bases.
Other critics complained that the film was not consistant to the very end which they considered to be sweetened up.

Was nominated for an "Oscar" in two categories in 1965.
availability:
VHS