La Grande Illusion

original title:
La Grande Illusion
other titles:
The Grand Illusion, (Die grosse Illusion)
country / year of production:
original length:
111 min. , black/white
premiere:
8 June 1937
based on:
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film script:
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plot synopsis:
During World War I, two French airmen are shot down while taking surveillance photographs over German territory. Captain De Boeldieu, a wealthy aristocrat, and Lieutenant Marechal, a mechanic in civilian life, are captured and send to a POW-camp where they meet Rosenthal, son of rich Jewish bankers. After their first attempt to escape has failed they are send to an old castle-turned-POW-camp. The camp is under the command of wounded war veteran von Rauffenstein, a former air force officer. Von Rauffenstein takes an immediate liking to de Boeldieu, as they are members of the same social class and convinced believe that their political ideals will soon be a thing of the past. The Frenchman discover that their fellow-prisoners have long been digging an escape tunnel and they all agree to help. But while Maréchal and Rosenthal join in with enthusiasm, de Boeldieu does so out of a sense of duty. When de Boeldieu stages an escape attempt in order to divert the attention of the guards away from his escaping comrades he is shot by von Rauffenstein. Maréchal and Rosenthal manage escape, they find refugee in the home of a German war-widow and finally reach the Suiss border.
literature:
Thomas J. Hines. „War Crimes. Jean Renoir’s La Grande Illusion“. In: Douglas Radcliff-Umstead (Ed.). Crime in Motion Pictures. Kent: Kent State University, 1986, 33-37.
remarks:
"Oscar"-nomination for Best Picture in 1939, special prize at the 1937 Venice Film Festival despite being banned in Italy and Germany. Regularly listed as one of the best films ever made.

French director Francois Truffaut said: "The great idea of this film is that the world is structured horizoontally and not vertically; Renoir makes very clear that the concept of "class" has to remain. Whereas the concept of "border" has to be abolished since it has caused so many misunderstandings". (Translated from: rororo Filmlexikon. Filme A-J. Reinbek bei Hamburg: Rowohlt, 1986, S. 264.).

Goebbels bezeichnete Jean Renoir aufgrund des Film als "cineastischen Staatsfeind Nummer 1".
availability:
VHS, DVD, CD