The Life and Times of Rosie the Riveter

original title:
The Life and Times of Rosie the Riveter
other titles:
Rosie the Riveter
country / year of production:
original length:
65 min. , black/white
premiere:
based on:
director:
film script:
producer:
cinematographer:
composer:
cast (role):
more:
plot synopsis:
A documentary on the American home front during the Second World War and at the same time an look at the spark that ignited the women's liberation movement nearly thirty years before it 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, women were strongly encouraged to join the factory workforce. They came from all over the country and discovered skills they never knew they had, both as laborers, and as independent women. They were self-sufficient and strong (many of them endured double-shifts on a fairly regular basis), and they eventually discovered new freedoms by earning their own incomes and making their own choices on how to spend that money. Connie Field has created documentary that's choked full of interviews with women from all walks of life. She intersperses lots of the newsreel footage and the popular songs that had been created in order to encourage and inspire the female workforce. And she illustrates the myriad of ways in which women were discouraged from working after the war had ended, and how strong a role the media played in encouraging women to raise families and stay in the kitchen.
literature:
Alice Kessler-Harris. "The Life and Times of Rosie the Riveter (U.S., 1980). The experience and legacy of wartime". In: John W. Chambers, David Culbert (eds.). World War II, Film, and History. New York, Oxford: Oxford UP. 1996. 107-122.

Mimi White. "Rehearsing Feminism: Women/History in The Life and Times of Rosie the Riveter and Swing Shift". In: Diane Carson, Linda Dittmar, Janice R. Welsch (eds.). Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota, 1994, 318-329.

Sherna Berger Gluck. Rosie the Riveter Revisited. Women, the war, and social change. Boston : Twayne Publishers. 1987. 282 p.
remarks:
Just like "G.I. Joe" was the name for the ordinary American soldier, "Rosie the Riveter" became the synonym for the many women who worked in the American industry during the war replacing the men who were fighting overseas.

was also the title of a 1944 romantic comedy by director Joseph Santley.

The nickname "Rosie the Riveter" is the title of a classic Norman Rockwell painting showing a woman in blue workers outfit, strong arms, and a brave expression on her face, the figurehead of all courageous American women. The American painter famous for his idyllic depictions in the 40ies and 50ies was a very successful illustrator but never taken seriously in the established art world.

In 1944 Joseph Santley had already directed the romantic comedy "Rosie the Riveter", also treating the topic of working women during the war.
availability: